For jade people, how to appreciate a jade carving is a must-learning lesson. Connoisseurs and collectors who are involved in jade carvings are often not easy to separate the works. Recognizing the name of the eagle, he does not necessarily recognize the work of the eagle. And now the situation is that most of the Chinese jade carving art and the real jade do not understand and will not see. So how do you appreciate a jade carving?

Jade carving appreciates the problems encountered

Today, the collision of East and West cultures is intensified. In addition to the theoretical confusion and misleading, people's thoughts are extremely active. Some of the sculptors have shaken the traditional art and pursued the modern, post-modern and physical art. For a time, there was a general publicity that the general public did not know, and the general public did not understand it.

The current problem is: more carvings, less carvings; more jade, less understanding of jade. Some yelled "tradition", but they did not see the traditional shadow in the works, they did not get into it at all, and they talked about how to make it out of tradition. Some call for "innovation", and their works are far from breaking through the traditional barriers, not being natural, holding on to the deficiencies, and talking about new faces.

Some scholars have been carving for more than ten years. I don't know the "dotted line" method of the golden section. I don't know what the "six laws" are. I don't know the "three-seven stop" starting style, and I don't understand the coordination relationship of the "eight points".

There are two varieties on the jade carving, the self-proclaimed "king", "the carving of the mountain is only two or three peaks, the carving water is only two or three waves, the carving beauty is nothing more than a pair of breasts, the carving of the bald big belly, some of the advantages and disadvantages are not divided, only learn low If you are not a teacher, you know that you have the "teacher who is high, and the teacher has one."

Appreciate the jade carving art to see the charm

We also saw how the ancestors appreciated Chinese paintings as early as 1,500 years ago. From the perspective of Chinese painting appreciation, our jade carvings, because there are bronze carving methods, brick carving methods, wood carving methods, only lack in China. Jade carving method, China's jade road is still inherited from Chinese painting, bronze, brick, wood and other folk sculpture art. Therefore, in the absence of systematic Chinese jade theory, we can see Chinese jade road in combination with Chinese painting.

Nanqi’s “Sheikh” put forward the standard “six-law” theory of Chinese painting art, namely: “Followfulness, vivid use of the pen, the image of the object, the color of the class, the position of the business, and the transfer of the mold”. Vivid and vivid, it is the overall requirement of the work, and it is the highest state that art should reach. Similarly, we can also learn from the evaluation and appreciation of the main guidelines of Chinese jade.

Rhyme, in traditional Chinese jade, refers to the sum of the spirit and charm. Shi Taoyu, a scholar and a painter, "made a book for painting, no matter how old the teacher learns, the one who wins with qi, the spirit is brilliant, and the paper is out." Similarly, the soul of art is the same, and the "qiyun" that Yudao also reflects on the jade is the soul of "the whole and the fine". The high-quality jade is more capable of expressing its charm in three dimensions.

In the Yuan Dynasty, Yang Weijun pointed out in his review of Chinese painting: "There are people who have studied the paintings, and they have the shape and the expressiveness. The preachers are vivid and vivid." Tang Yi of the Qing Dynasty said: "The six methods are based on the rhyme, but There is rhyme in the air, but the board is not suffocating." Qingfang smoked and said: "The charm is vivid, the vivid character must be realized, and it can be vivid, then the rhyme is free."

Vivid and vivid, whether it is painting or engraving, is the ultimate goal, becoming the highest goal pursued by jade carvings and painters. It has also become the main criterion for Chinese paintings, which has deeply influenced the Chinese jade carving method. Chinese traditional figures jade carving emphasizes “moving momentum”, “emerging” and “spirituality”. Shanzi carving attaches importance to “important”, “ideal” and “meteorological”, and flower and bird carving focuses on “situation”, “live” and “interest”, all of which No one left the rhythm of this rhythm.

In short, vividness is a kind of overall induction of Yudao, a kind of mental dialysis, and a kind of life state comprehension. Good works are always accompanied by temperament, and the best works handed down in history have the characteristics of vividness and vividness.

Works should look at "whole" to see "fine"

Grasping the details is the product of human civilization, a kind of cultivation, a spiritual yearning, a life attitude, a modern behavior, and a passionate, art-making person, especially because of this quality.

The art is white is the problem of form. The first element of the form to impress the eye is "complete". The "complete" is embodied in the unity of layout, balance, symmetry, oddity, falsehood, rhythm, rhythm and complete expression. This is only half of it. If you want to continue to impress your heart, you must be inseparable from the details, but the details are obvious, and the two halves add up to the top grade.

It is very difficult to complete the "complete" step, but under the "complete" command, to take care of the details, that is, points and lines, lines and faces, sparse and dense, square and round, light and hair, empty and Reality, movement and quiet, all of which reflect the high level of cultivation. Only by putting the details in place, the quality of the form is possible.

Throughout the Chinese jade road, in addition to the traditional bronze, stone, and wood carving techniques, what can be truly reflected in the jade carving is to reflect the dynamics, potential, rhythm, and rhythm of the jade skills through different lines to write God. The purpose of writing, writing, and freehand is to say that freehand is the spiritual essence of Chinese jade. Chinese jade roads are mostly composed of lines, which are inseparable from the Chinese artists' love for the lines and their unique feelings.

The lines used for engraving are vital. The stagnation of the stagnation, the density of the dense, the speed, the stagnation, the stagnation, the wet and dry, all show the talents and skills of the jade carving master.

Chinese jade carvings pay attention to the mood with the momentum, the momentum is the living sculpture, the airless is the death sculpture. The work of engraving, stagnation, and stagnation has a gas connection, so the work can be imposing. An inner rhythm, emotional ups and downs, and the rhythm and rhythm of the craftsmanship through the uniform changes of the momentum and the artistic conception are also the shift of the heart of the masters.

Engraving power, suffocating, and charm are organic unity, with the temperament of the artistic conception, the rhythm of the rhythm, the rhythm to help the momentum, the artistic conception, the perfect combination of the three, known as the fine jade carving. Or the ancient 拙 拙 浑 浑 浑 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙 拙On the contrary, the lines of the plate, engraving, knot, leak, dead, stagnation, floating, weak, and vulgar are not taken by the master of jade carving. The ability to control the lines is also the key to measuring the level of jade carving masters.

Appreciation of works depends on composition, form

The composition of Chinese painting has many forms, and there are also many kinds of references. The customary title is "chapter method" and "layout". In the Eastern Jin Dynasty, Gu Yu’s name for Chinese painting was “Chen Chen Bu Shi”, and Sheikh called it “Business Location”.

Although the formulation is different, the meaning is the same, that is, the content and form to be expressed by the author are organized and arranged to form an overall picture that reflects individuality, expresses momentum, and is harmonious and unified. The realm of a work is either high or low, or peculiar or mediocre, and composition is crucial. The quality of composition plays a decisive role in the success or failure of the work.

Looking at China's "Jade Road" in terms of the techniques of Chinese traditional painting, it also respects the composition, the constitution, the layout, and the ideas that art can express on the jade body. The law of composition has its own laws, and the most important law is the unity of opposites in dialectics.

Any work that conforms to the law of the unity of opposites will be aesthetically pleasing and attractive. On the contrary, the factors of beauty will be greatly reduced. The source of composition is life, vision, cultivation, and style.

The composition is extremely flexible, because China's "Jade Road" uses a unique point-and-line yin and yang method. This yin and yang method is used to show the beautiful and colorful world, bringing great freedom and flexibility to the author. It is not limited by time and place. It does not seek the phenomenon of objects, but only seeks ideas and images into "rations."

China's "Yu Dao" pays attention to stability and stability, seeks stability in the danger, compares intentions, breaks symmetry, and forms a rhythmic coordination whole. The jade carvings of Chinese aesthetic art mostly adopt the "three-seven stop" starting rule, and the main object image is placed on the three or seven points, which plays a vital role in breaking the balance and symmetry, and is also easy to form the rhythm rhythm, giving the viewer Visual beauty.

Appreciation of jade also depends on its potential and its quality. Use unfixed line of sight and view its image. Look at the general trend, look at the quality of the line. "Hold and let go of the subtle", often in the small part can better understand the author's ability to sculpt.

The "six-law" theory is unchanging, and both painting and jade carving are traditional golden rules. This theory has a profound and unshakable role in the history of Chinese painting. It is also the fundamental rule for evaluating and rewarding Chinese painting nowadays. All painters will be bound and checked by this law. Today, there is no real Jade Taoism in China. This law is used to appreciate and evaluate Chinese jade carving works.

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