It seems to be an antique and impractical thing, but it has the vitality of its deep water, and the traditional culture of a nation is condensed in the utensils. How big is a nation, and its utensil culture is much more powerful. The beauty of ethnic jewelry, beauty in a variety of colors and colors, beauty in a variety of craft jewelry styles.

The various ethnic minority jewelry art in China has its own folk culture and culture. It can be said that the art of jewelry of each nation is a picture of a very interesting and interesting picture. The huge national system has become a great treasure house of folk arts and crafts. The traditional jewelry of various nationalities not only symbolizes different image characteristics in various styles, but also reflects the background of different cultures of different nationalities. If the Yao girl wears silver jewelry, there is no specified quantity. In general, the more you wear, the more atmospheric, beautiful and affluent. In Jingpo, the more women wear silver jewelry, the more capable and richer they are. The top of the head cap is adorned with tassels. It must be mentioned that the silver ornaments of the Miao nationality can better reflect the culture of the nation.

Therefore, it is infinitely rich, rich and broad, ancient and magical and beautiful, and has an indelible contribution to the inheritance and development of national folk culture and humanities.

A horned silver cap is worn on the head and a silver sway like a bright moon.

The ancient Xijiang Miao Village, a nation that is in harmony with nature and is accompanied by gods. At first, the Miao nationality did not have any words. The origins of the Miao silver jewelry were all "recognition" of folk stories and legends circulating around the country. The folk saying is more consistent: the ancient ancestors were the ancestors of the Miao people. After being defeated by the Yellow Emperor, they lost all their hardships and abandoned their rich homes during the great migration from north to south and west. Silver jewelry is well protected.

The existence of its spiritual consciousness provides the soil for the nation, and the national culture grows in this soil. The gods must restrain human beings and act on life, so they are formed by the way of communication between the gods and human beings. In the long historical process, the traditional cultural consciousness has penetrated into all aspects of the Miao culture and art, reflecting it in the form of silver jewelry. Prominently, silver jewelry is the most brilliant penetration of national cultural awareness in art. From the beginning of its birth, the Miao silver jewelry has the characteristics of national culture. The Miao ancestors believe that all sharp things can exorcise evil spirits. Silver jewelry is the top product of exorcism, and it can also eliminate diseases. The letter sterling silver symbolizes the light and righteousness, and the silverware can exorcise evil spirits and pray for disasters.

Its Xijiang Miao population has a large population and a wide distribution area. The regional differences of silver ornaments are very large. Silver ornaments occupy a very prominent position in Miao costumes, especially in women's costumes, silver ornaments are essential accessories. Whether it is variety, quantity, style, or craftsmanship, it is among the best in Chinese national costumes. And variety, from head to toe, everywhere, including headwear, face, neck, shoulder, chest, waist, arm, foot, jewelry, etc., especially when the girl is married, wear The silver ornaments are more complete, and the so-called "no silver, no flowers, no girls."

Miao silver jewelry variety, Chi Mei style

Miao nationality headwear plays an important role in all costumes, and often the headgear can judge the various situations of the costume owner. Miao women's headwear types include silver horn silver cap, silver weipa, silver hairpin, silver earrings and so on. Silver caps are the most complex and dazzling. Crown on the head, walking under the feet, the silver twigs of the trembling silver flashing, looks graceful.

Yinjiao, known as "Rounda" in Miao language, is one of the important silver ornaments in the heads of Mongolian Miao women's clothing in Leishan County, Guizhou Province, with Xijiang, Danjiang, Taojiang and Dayang. The most distinctive feature is the Xijiang type. The two corners of the silver corner are forked. The main pattern is usually the image of the two dragons. When the girls wear, they must insert white chicken feathers at both ends of the silver corner. The chicken feathers are swaying in the wind, full of beauty. . There are many styles of Miao silver hair, and the theme is mainly flowers, birds and butterflies. In terms of style, some hairpins are delicate, delicate and vivid, and some are simple, thick and dignified, with their own characteristics.

The silver earrings are the most popular ones among the Miao silver jewelry family. There are several types of ring-shaped, hook-shaped and round-wheel type, among which there are more suspension type and ring type. There are a large variety of Miao earrings, and there are nearly 100 kinds of incomplete collections in the Guizhou Provincial Museum.

The Miao people attach great importance to the decoration of the chest and neck, so the chest and neck ornaments become a well-made piece of silver jewelry. The chest and neck ornaments are divided into silver collars, silver collars, silver badges, silver chest ornaments, etc. Silver collars can be divided into three types: ferrule, chain and ring. The chain has an 8-shaped ring necklace, a gourd necklace, a beaded necklace, and the like. The ring type has a guilloché collar, a skein collar, a string ring collar, a louver collar, and the like. The silver badge is a popular chest ornament in some Miao areas. It is usually made of single-layer rectangular or semi-circular silver flower. The shape is regular and covers the wearer's entire chest and abdomen when worn. The decorative effect is exaggerated.

Silver jewelry includes silver bracelets and silver rings, which are an important part of the Miao silver jewelry. There are many four or five pairs of silver bracelets, which have different shapes and various forms. The Miao ring is divided into small and small, the most common and common, and the large ring face is wider, covering almost the entire surface of the finger root. The ring face is embossed flowers or hollow flowers and vines. Compared with other silver ornaments, the traditional silver ring has the least style and the narrowest fashion.

Silver waist pendants include silver belts, silver waist ornaments, etc., which are mainly popular in the Miao area of ​​Huangping, Guizhou. Silver waist charms are worn on both sides of the waist, with exquisite craftsmanship and rich shapes. Silver clothing includes silver clothing, silver waist chain, silver buckle and so on. The Miao people in the Qingshui River Basin of Guizhou prevailed in silver clothes, and the silver clothing pieces were the main accessories of silver clothes. The silver-coated pieces are decorated with sleeves, plackets, and hem, and are used for dyeing and setting off. The main film of silver clothing has the image of embossed lion, phoenix, golden pheasant, dragon, crane, butterfly and flower.

How beautiful is the millennium? Nowadays, although there are very few people who have studied silver in the village, there are still intangible cultural inheritors who have the skills of forging. We use every forging, every carving, every silver to tell us about inheritance. And the responsibility of carrying forward, is the life of the craftsman for the rest of his life.

Silver jewelry inherits the cultural factors of the Miao nationality and has extremely far-reaching research value for deepening the cultural connotation of the entire Hmong history, folklore, religion and belief. Its plastic art inherits the unique visual art and aesthetics of the Miao nationality, with a full and beautiful aesthetic concept and various composite cultural symbols. Abstract, exaggerated and distorted modeling patterns imply the social history and religious customs of the Miao nationality. The exquisite craftsmanship of silverware is the crystallization of the wisdom and wisdom of the Miao silversmiths and is an extremely valuable historical and cultural heritage.

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